David Hockney’s The Arrival of Spring in Woldgate, 2011 is among his most celebrated bodies of work from the 21st century. Created during his return to Yorkshire, these works capture the transition from winter to spring with vivid colour and energy. Hockney explored local woodland, especially Woldgate, near Bridlington. He observed and painted daily changes in the landscape, producing a fresh, immersive series. These works are notable for their large scale, rhythmic mark-making, and joyful embrace of seasonal renewal.
In terms of art historical significance, The Arrival of Spring in Woldgate connects to Hockney’s ongoing exploration of nature, perspective, and time. It echoes his admiration for Van Gogh and the tradition of plein air painting, but with a contemporary twist , some works in the series were created digitally on an iPad before being rendered into prints or paintings.
Marketwise, these works have been highly sought after by collectors and institutions. Large paintings and related prints have performed strongly at auction, with continued interest from collectors seeking vibrant, optimistic pieces. The series has appeared in major exhibitions worldwide, notably the A Bigger Picture show at the Royal Academy in 2012, which helped reestablish Hockney as a vital, innovative force.
For collectors, The Arrival of Spring in Woldgate, 2011 represents a fusion of Hockney’s technical innovation, emotional engagement with landscape, and market stability a compelling combination.